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Song of Songs · Geneva Bible (1599)

Song of Songs 1 Geneva Bible (1599)

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About GNV
  • Protestant
  • OT: Masoretic Hebrew
  • NT: Textus Receptus
  • Protestant (66 books)
  • Formal (word for word)
  • 1599
  • Public domain

Audio: World English Bible (WEB), read by Winfred W. Henson · About the recordings

Notes on this text (1)
GNV Geneva Bible (1599)
RV1909 Reina-Valera 1909
1 Let him kisse me with the kisses of his mouth: for thy loue is better then wine.
1 CANCIÓN de canciones, la cual es de Salomón.
2 Because of the sauour of thy good ointments thy name is as an ointment powred out: therefore the virgins loue thee.
2 ¡Oh si él me besara con ósculos de su boca! porque mejores son tus amores que el vino.
3 Drawe me: we will runne after thee: the King hath brought me into his chabers: we will reioyce and be glad in thee: we will remember thy loue more then wine: the righteous do loue thee.
3 Por el olor de tus suaves ungüentos, (ungüento derramado es tu nombre,) por eso las doncellas te amaron.
4 I am blacke, O daughters of Ierusalem, but comely, as the tentes of Kedar, and as the curtaines of Salomon.
4 Llévame en pos de ti, correremos. Metióme el rey en sus cámaras: nos gozaremos y alegraremos en ti; acordarémonos de tus amores más que del vino: los rectos te aman.
5 Regard ye me not because I am blacke: for the sunne hath looked vpon mee. The sonnes of my mother were angry against mee: they made me the keeper of ye vines: but I kept not mine owne vine.
5 Morena soy, oh hijas de Jerusalem, mas codiciable; como las cabañas de Cedar, como las tiendas de Salomón.
6 Shewe me, O thou, whome my soule loueth, where thou feedest, where thou liest at noone: for why should I be as she that turneth aside to the flockes of thy companions?
6 No miréis en que soy morena, porque el sol me miró. Los hijos de mi madre se airaron contra mí, hiciéronme guarda de viñas; [y] mi viña, que era mía, no guardé.
7 If thou knowe not, O thou the fairest among women, get thee foorth by the steps of the flocke, and feede thy kiddes by the tents of the shepheards.
7 Hazme saber, ó tú á quien ama mi alma, dónde repastas, dónde haces tener majada al medio día: porque, ¿por qué había yo de estar como vagueando tras los rebaños de tus compañeros?
8 I haue compared thee, O my loue, to the troupe of horses in the charets of Pharaoh.
8 Si tú no lo sabes, oh hermosa entre las mujeres, sal, yéndote por las huellas del rebaño, y apacienta tus cabritas junto á las cabañas de los pastores.
9 Thy cheekes are comely with rowes of stones, and thy necke with chaines.
9 A yegua de los carros de Faraón te he comparado, amiga mía.
10 We will make thee borders of golde with studdes of siluer.
10 Hermosas son tus mejillas entre los pendientes, tu cuello entre los collares.
11 Whiles the King was at his repast, my spikenard gaue the smelll thereof.
11 Zarcillos de oro te haremos, con clavos de plata.
12 My welbeloued is as a bundle of myrrhe vnto me: he shall lie betweene my breasts.
12 Mientras que el rey estaba en su reclinatorio, mi nardo dió su olor.
13 My welbeloued is as a cluster of camphire vnto me in the vines of Engedi.
13 Mi amado es para mí un manojito de mirra, que reposa entre mis pechos.
14 My loue, beholde, thou art faire: beholde, thou art faire: thine eyes are like the doues.
14 Racimo de copher en las viñas de Engadi es para mí mi amado.
15 My welbeloued, beholde, thou art faire and pleasant: also our bed is greene:
15 He aquí que tú eres hermosa, amiga mía; he aquí que eres bella: tus ojos de paloma.
16 The beames of our house are cedars, our rafters are of firre.
16 He aquí que tú eres hermoso, amado mío, y suave: nuestro lecho también florido.
17 Not in this translation
17 Las vigas de nuestra casa son de cedro, [y] de ciprés los artesonados.
Cross references (15)

Related passages for each verse, from the Treasury of Scripture Knowledge as collected and ranked by readers at OpenBible.info.

  1. 2 Song of Songs 4:10; Song of Songs 1:4; Psalm 36:7; Psalm 63:3–5; Isaiah 55:1–2
  2. 3 Ecclesiastes 7:1; Exodus 30:23–28; Song of Songs 4:10; John 12:3; Psalm 45:7–8
  3. 4 John 6:44; Hosea 11:4; Psalm 45:14–15; John 12:32; Hebrews 12:1
  4. 5 Song of Songs 2:14; Luke 15:22; 2 Corinthians 5:21; Song of Songs 5:16; Song of Songs 2:7
  5. 6 Song of Songs 8:11–12; Luke 12:51–53; Mark 4:6; Jeremiah 12:6; Psalm 69:8
  6. 7 Song of Songs 3:1–4; Isaiah 13:20; Psalm 23:1–2; Psalm 28:1; Genesis 37:16
  7. 8 Song of Songs 6:1; Song of Songs 5:9; James 2:21; James 5:10; Hebrews 11:4–40
  8. 9 Song of Songs 2:10; Song of Songs 2:13; John 15:14–15; Isaiah 31:1; Song of Songs 2:2
  9. 10 Ezekiel 16:11–13; 1 Peter 3:4; Song of Songs 5:13; Genesis 24:47; Song of Songs 4:9
  10. 11 Psalm 149:4; Philippians 3:21; Genesis 1:26; Ephesians 5:25–27; Song of Songs 8:9
  11. 12 John 12:3; Revelation 3:20; Mark 14:3; Song of Songs 4:13–16; Luke 24:30–32
  12. 13 John 19:39; Psalm 45:8; Ephesians 3:17; Song of Songs 4:14; Genesis 43:11
  13. 14 Song of Songs 2:3; 1 Samuel 23:29–24:1; Song of Songs 1:13; Joshua 15:62; Song of Songs 4:13–14
  14. 15 Song of Songs 4:1; Song of Songs 5:12; Song of Songs 4:7; Ephesians 1:17–18; 2 Corinthians 11:2–3
  15. 16 Song of Songs 2:3; Psalm 45:2; Zechariah 9:17; Revelation 5:11–13; Song of Songs 5:10–16

Cross references: OpenBible.info (CC BY), drawn mainly from the public-domain Treasury of Scripture Knowledge. · Sources & licences

What the Fathers said

Passages from the Church Fathers that expound or quote this chapter, verbatim from the public-domain Schaff edition (19th-century English translations).

How these were chosen

“Commentary” is the opening of a homily or exposition on this chapter (John Chrysostom’s homilies, Augustine’s tractates, sermons and expositions of the Psalms). “Quotes” are sentences where the edition’s own footnotes identify a quotation of a verse here, kept only when the wording matches the verse. Only works whose authorship is not in doubt are used. Psalms follow the Hebrew/English numbering (Augustine numbers them as the Septuagint does: his Psalm 50 is Psalm 51 here).

  1. Quotes verse 1:5 Augustine of Hippo, On Christian Doctrine (Book III, Chapters 31–34)

    An example of this is that passage in the Song of Solomon, "I am black, but comely, as the tents of Kedar, as the curtains of Solomon." For it is not said, I was black as the tents of Kedar, but am now comely as the curtains of Solomon.

    Read in context · Nicene and Post-Nicene Fathers, series 1, vol. 2 (1887)

  2. Quotes verse 1:4 Cyril of Jerusalem, Catechetical Lectures (Lecture III)

    For now meanwhile thou standest outside the door: but God grant that you all may say, The King hath brought me into His chamber.

    Read in context · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)

  3. Quotes verse 1:8 Augustine of Hippo, Sermons on Selected Lessons of the New Testament (Sermon XLV)

    So then this Bridegroom, "fair in beauty above the children of men," became deformed that He might make His Spouse fair to whom it is said, "O thou beauteous among women," of whom it is said, "Who is this that cometh up, whitened" with the brightness of light, not the colouring of falsehood!

    Read in context · Nicene and Post-Nicene Fathers, series 1, vol. 6 (1888)

  4. Quotes verse 1:7 Augustine of Hippo, Sermons on Selected Lessons of the New Testament (Sermon LXXXVIII)

    … with you, all Beauteous as He was, prayed for you; "Father," saith He, "forgive them, for they know not what they do." For if He were without comeliness, how is it that she loveth Him, who saith, "Tell me, O Thou whom my soul loveth"? How is it that she loveth Him?

    Read in context · Nicene and Post-Nicene Fathers, series 1, vol. 6 (1888)