1 Το Άσμα των Ασμάτων, το του Σολομώντος. 2 Ας με φιλήση με τα φιλήματα του στόματος αυτού. Διότι η αγάπη σου είναι καλητέρα παρά τον οίνον. 3 Διά την ευωδίαν των καλών μύρων σου, το όνομά σου είναι μύρον εκκεχυμένον· διά τούτο αι νεάνιδες σε αγαπώσιν. 4 Ελκυσόν με· θέλομεν δράμει κατόπιν σου· ο βασιλεύς με εισήγαγεν εις τα ταμεία αυτού· θέλομεν αγάλλεσθαι και ευφραίνεσθαι εις σε, θέλομεν ενθυμείσθαι την αγάπην σου μάλλον παρά οίνον· οι έχοντες ευθύτητα σε αγαπώσι. 5 Μέλαινα είμαι, πλην εύχαρις, θυγατέρες της Ιερουσαλήμ· ως τα σκηνώματα του Κηδάρ, ως τα παραπετάσματα του Σολομώντος. 6 Μη βλέπετε εις εμέ, ότι είμαι μεμελανωμένη, επειδή ο ήλιος με έκαυσεν· οι υιοί της μητρός μου ωργίσθησαν κατ' εμού· με έβαλον φύλακα εις τους αμπελώνας· τον ίδιόν μου αμπελώνα όμως δεν εφύλαξα. 7 Απάγγειλόν μοι, συ, τον οποίον αγαπά η ψυχή μου, Που ποιμαίνεις, που αναπαύεις το ποίμνιον την μεσημβρίαν· διά τι να γείνω ως περικεκαλυμμένη μεταξύ των ποιμνίων των συντρόφων σου; 8 Εάν δεν γνωρίζης τούτο αφ' εαυτής, ώραία μεταξύ των γυναικών, έξελθε συ κατόπιν εις τα ίχνη του ποιμνίου, και ποίμαινε τα ερίφιά σου πλησίον των σκηνών των βοσκών. 9 Με τας ίππους των αμαξών του Φαραώ σε εξωμοίωσα, ηγαπημένη μου. 10 Αι σιαγόνες σου είναι ώραίαι με τας σειράς των μαργαριτών, και ο τράχηλός σου με τα περιδέρραια. 11 Θέλομεν κάμει εις σε αλύσεις χρυσάς με στίγματα αργυρίου. 12 Ενόσω ο βασιλεύς κάθηται εις την τράπεζαν αυτού, ο νάρδος μου διαχέει την οσμήν αυτού. 13 Δεμάτιον σμύρνης είναι εις εμέ ο αγαπητός μου· θέλει διανυκτερεύει μεταξύ των μαστών μου. 14 Ο αγαπητός μου είναι εις εμέ ως βότρυς κύπρινος εις τους αμπελώνας του Εν-γαδδί. 15 Ιδού, είσαι ώραία, αγαπητή μου· ιδού, είσαι ώραία· οι οφθαλμοί σου είναι ως περιστερών. 16 Ιδού, είσαι ώραίος, αγαπητέ μου, ναι, εύχαρις· και η κλίνη ημών είναι ευθαλής. 17 Αι δοκοί των οίκων ημών είναι κέδροι, τα σανιδώματα ημών εκ κυπαρίσσου.
Song of Songs · Modern Greek Bible: Vamvas (1850)
Song of Songs 1 Modern Greek Bible: Vamvas (1850)
Audio: World English Bible (WEB), read by Winfred W. Henson · About the recordings
Notes on this text (2)
- The Old Testament is translated from the Hebrew, not from the Septuagint read in the Orthodox Church; there are no deuterocanonical books.
- Katharevousa (learned 19th-century Greek), as in the CrossWire module (text from theword.gr).
Cross references (16)
Related passages for each verse, from the Treasury of Scripture Knowledge as collected and ranked by readers at OpenBible.info.
- 2 Song of Songs 4:10; Song of Songs 1:4; Psalm 36:7; Psalm 63:3–5; Isaiah 55:1–2
- 3 Ecclesiastes 7:1; Exodus 30:23–28; Song of Songs 4:10; John 12:3; Psalm 45:7–8
- 4 John 6:44; Hosea 11:4; Psalm 45:14–15; John 12:32; Hebrews 12:1
- 5 Song of Songs 2:14; Luke 15:22; 2 Corinthians 5:21; Song of Songs 5:16; Song of Songs 2:7
- 6 Song of Songs 8:11–12; Luke 12:51–53; Mark 4:6; Jeremiah 12:6; Psalm 69:8
- 7 Song of Songs 3:1–4; Isaiah 13:20; Psalm 23:1–2; Psalm 28:1; Genesis 37:16
- 8 Song of Songs 6:1; Song of Songs 5:9; James 2:21; James 5:10; Hebrews 11:4–40
- 9 Song of Songs 2:10; Song of Songs 2:13; John 15:14–15; Isaiah 31:1; Song of Songs 2:2
- 10 Ezekiel 16:11–13; 1 Peter 3:4; Song of Songs 5:13; Genesis 24:47; Song of Songs 4:9
- 11 Psalm 149:4; Philippians 3:21; Genesis 1:26; Ephesians 5:25–27; Song of Songs 8:9
- 12 John 12:3; Revelation 3:20; Mark 14:3; Song of Songs 4:13–16; Luke 24:30–32
- 13 John 19:39; Psalm 45:8; Ephesians 3:17; Song of Songs 4:14; Genesis 43:11
- 14 Song of Songs 2:3; 1 Samuel 23:29–24:1; Song of Songs 1:13; Joshua 15:62; Song of Songs 4:13–14
- 15 Song of Songs 4:1; Song of Songs 5:12; Song of Songs 4:7; Ephesians 1:17–18; 2 Corinthians 11:2–3
- 16 Song of Songs 2:3; Psalm 45:2; Zechariah 9:17; Revelation 5:11–13; Song of Songs 5:10–16
- 17 Hebrews 11:10; Psalm 92:12; 2 Chronicles 2:8–9; 1 Kings 6:9; Song of Songs 7:5
Cross references: OpenBible.info (CC BY), drawn mainly from the public-domain Treasury of Scripture Knowledge. · Sources & licences
What the Fathers said
Passages from the Church Fathers that expound or quote this chapter, verbatim from the public-domain Schaff edition (19th-century English translations).
How these were chosen
“Commentary” is the opening of a homily or exposition on this chapter (John Chrysostom’s homilies, Augustine’s tractates, sermons and expositions of the Psalms). “Quotes” are sentences where the edition’s own footnotes identify a quotation of a verse here, kept only when the wording matches the verse. Only works whose authorship is not in doubt are used. Psalms follow the Hebrew/English numbering (Augustine numbers them as the Septuagint does: his Psalm 50 is Psalm 51 here).
An example of this is that passage in the Song of Solomon, "I am black, but comely, as the tents of Kedar, as the curtains of Solomon." For it is not said, I was black as the tents of Kedar, but am now comely as the curtains of Solomon.
Read in context · Nicene and Post-Nicene Fathers, series 1, vol. 2 (1887)
For now meanwhile thou standest outside the door: but God grant that you all may say, The King hath brought me into His chamber.
Read in context · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)
So then this Bridegroom, "fair in beauty above the children of men," became deformed that He might make His Spouse fair to whom it is said, "O thou beauteous among women," of whom it is said, "Who is this that cometh up, whitened" with the brightness of light, not the colouring of falsehood!
Read in context · Nicene and Post-Nicene Fathers, series 1, vol. 6 (1888)
… with you, all Beauteous as He was, prayed for you; "Father," saith He, "forgive them, for they know not what they do." For if He were without comeliness, how is it that she loveth Him, who saith, "Tell me, O Thou whom my soul loveth"? How is it that she loveth Him?
Read in context · Nicene and Post-Nicene Fathers, series 1, vol. 6 (1888)