Cantar de los Cantares · Revised Version (con apócrifos)
Cantar de los Cantares 1 Revised Version (con apócrifos)
Audio: World English Bible (WEB), en inglés, leído por Winfred W. Henson · Sobre las grabaciones
RV Revised Version (con apócrifos)
RV1909 Reina-Valera 1909
WEB World English Bible (clásica, con deuterocanónicos)
1 The Song of songs, which is Solomon’s.
1 CANCIÓN de canciones, la cual es de Salomón.
1 The Song of songs, which is Solomon’s.
2 Let him kiss me with the kisses of his mouth: for thy love is better than wine.
2 ¡Oh si él me besara con ósculos de su boca! porque mejores son tus amores que el vino.
2 Let him kiss me with the kisses of his mouth; for your love is better than wine.
3 Thine ointments have a goodly fragrance; thy name is [as ]ointment poured forth; therefore do the virgins love thee.
3 Por el olor de tus suaves ungüentos, (ungüento derramado es tu nombre,) por eso las doncellas te amaron.
3 Your oils have a pleasing fragrance. Your name is oil poured out, therefore the virgins love you.
4 Draw me; we will run after thee: the king hath brought me into his chambers: we will be glad and rejoice in thee, we will make mention of thy love more than of wine: rightly do they love thee.
4 Llévame en pos de ti, correremos. Metióme el rey en sus cámaras: nos gozaremos y alegraremos en ti; acordarémonos de tus amores más que del vino: los rectos te aman.
4 Take me away with you. Let’s hurry. The king has brought me into his rooms. Friends We will be glad and rejoice in you. We will praise your love more than wine! Beloved They are right to love you.
5 I am black, but comely, O ye daughters of Jerusalem, as the tents of Kedar, as the curtains of Solomon.
5 Morena soy, oh hijas de Jerusalem, mas codiciable; como las cabañas de Cedar, como las tiendas de Salomón.
5 I am dark, but lovely, you daughters of Jerusalem, like Kedar’s tents, like Solomon’s curtains.
6 Look not upon me, because I am swarthy, because the sun hath scorched me. My mother’s sons were incensed against me, they made me keeper of the vineyards; [but ]mine own vineyard have I not kept.
6 No miréis en que soy morena, porque el sol me miró. Los hijos de mi madre se airaron contra mí, hiciéronme guarda de viñas; [y] mi viña, que era mía, no guardé.
6 Don’t stare at me because I am dark, because the sun has scorched me. My mother’s sons were angry with me. They made me keeper of the vineyards. I haven’t kept my own vineyard.
7 Tell me, O thou whom my soul loveth, where thou feedest [thy flock], where thou makest [it ]to rest at noon: for why should I be as one that is veiled beside the flocks of thy companions?
7 Hazme saber, ó tú á quien ama mi alma, dónde repastas, dónde haces tener majada al medio día: porque, ¿por qué había yo de estar como vagueando tras los rebaños de tus compañeros?
7 Tell me, you whom my soul loves, where you graze your flock, where you rest them at noon; for why should I be as one who is veiled beside the flocks of your companions?
8 If thou know not, O thou fairest among women, go thy way forth by the footsteps of the flock, and feed thy kids beside the shepherds’ tents.
8 Si tú no lo sabes, oh hermosa entre las mujeres, sal, yéndote por las huellas del rebaño, y apacienta tus cabritas junto á las cabañas de los pastores.
8 If you don’t know, most beautiful among women, follow the tracks of the sheep. Graze your young goats beside the shepherds’ tents.
9 I have compared thee, O my love, to a steed in Pharaoh’s chariots.
9 A yegua de los carros de Faraón te he comparado, amiga mía.
9 I have compared you, my love, to a steed in Pharaoh’s chariots.
10 Thy cheeks are comely with plaits [of hair], thy neck with strings of jewels
10 Hermosas son tus mejillas entre los pendientes, tu cuello entre los collares.
10 Your cheeks are beautiful with earrings, your neck with strings of jewels.
11 We will make thee plaits of gold with studs of silver.
11 Zarcillos de oro te haremos, con clavos de plata.
11 We will make you earrings of gold, with studs of silver.
12 While the king sat at his table, my spikenard sent forth its fragrance.
12 Mientras que el rey estaba en su reclinatorio, mi nardo dió su olor.
12 While the king sat at his table, my perfume spread its fragrance.
13 My beloved is unto me [as ]a bundle of myrrh, that lieth betwixt my breasts.
13 Mi amado es para mí un manojito de mirra, que reposa entre mis pechos.
13 My beloved is to me a sachet of myrrh, that lies between my breasts.
14 My beloved is unto me [as ]a cluster of henna-flowers in the vineyards of En-gedi.
14 Racimo de copher en las viñas de Engadi es para mí mi amado.
14 My beloved is to me a cluster of henna blossoms from the vineyards of En Gedi.
15 Behold, thou art fair, my love; behold, thou art fair; thine eyes are [as ]doves.
15 He aquí que tú eres hermosa, amiga mía; he aquí que eres bella: tus ojos de paloma.
15 Behold, you are beautiful, my love. Behold, you are beautiful. Your eyes are like doves.
16 Behold, thou art fair, my beloved, yea, pleasant: also our couch is green.
16 He aquí que tú eres hermoso, amado mío, y suave: nuestro lecho también florido.
16 Behold, you are beautiful, my beloved, yes, pleasant; and our couch is verdant.
17 The beams of our house are cedars, [and ]our rafters are firs.
17 Las vigas de nuestra casa son de cedro, [y] de ciprés los artesonados.
17 The beams of our house are cedars. Our rafters are firs.
Referencias cruzadas (16)
Pasajes relacionados con cada versículo, del Treasury of Scripture Knowledge, tal como los reúnen y ordenan los lectores de OpenBible.info.
- 2 Cantar de los Cantares 4:10; Cantar de los Cantares 1:4; Salmo 36:7; Salmo 63:3–5; Isaías 55:1–2
- 3 Eclesiastés 7:1; Éxodo 30:23–28; Cantar de los Cantares 4:10; Juan 12:3; Salmo 45:7–8
- 4 Juan 6:44; Oseas 11:4; Salmo 45:14–15; Juan 12:32; Hebreos 12:1
- 5 Cantar de los Cantares 2:14; Lucas 15:22; 2 Corintios 5:21; Cantar de los Cantares 5:16; Cantar de los Cantares 2:7
- 6 Cantar de los Cantares 8:11–12; Lucas 12:51–53; Marcos 4:6; Jeremías 12:6; Salmo 69:8
- 7 Cantar de los Cantares 3:1–4; Isaías 13:20; Salmo 23:1–2; Salmo 28:1; Génesis 37:16
- 8 Cantar de los Cantares 6:1; Cantar de los Cantares 5:9; Santiago 2:21; Santiago 5:10; Hebreos 11:4–40
- 9 Cantar de los Cantares 2:10; Cantar de los Cantares 2:13; Juan 15:14–15; Isaías 31:1; Cantar de los Cantares 2:2
- 10 Ezequiel 16:11–13; 1 Pedro 3:4; Cantar de los Cantares 5:13; Génesis 24:47; Cantar de los Cantares 4:9
- 11 Salmo 149:4; Filipenses 3:21; Génesis 1:26; Efesios 5:25–27; Cantar de los Cantares 8:9
- 12 Juan 12:3; Apocalipsis 3:20; Marcos 14:3; Cantar de los Cantares 4:13–16; Lucas 24:30–32
- 13 Juan 19:39; Salmo 45:8; Efesios 3:17; Cantar de los Cantares 4:14; Génesis 43:11
- 14 Cantar de los Cantares 2:3; 1 Samuel 23:29–24:1; Cantar de los Cantares 1:13; Josué 15:62; Cantar de los Cantares 4:13–14
- 15 Cantar de los Cantares 4:1; Cantar de los Cantares 5:12; Cantar de los Cantares 4:7; Efesios 1:17–18; 2 Corintios 11:2–3
- 16 Cantar de los Cantares 2:3; Salmo 45:2; Zacarías 9:17; Apocalipsis 5:11–13; Cantar de los Cantares 5:10–16
- 17 Hebreos 11:10; Salmo 92:12; 2 Crónicas 2:8–9; 1 Reyes 6:9; Cantar de los Cantares 7:5
Referencias cruzadas: OpenBible.info (CC BY), tomadas sobre todo del Treasury of Scripture Knowledge (dominio público). · Fuentes y licencias
Lo que dijeron los Padres
Pasajes de los Padres de la Iglesia que comentan o citan este capítulo, tal como aparecen en la edición de Schaff (traducciones inglesas del siglo XIX, de dominio público). Los textos están en inglés.
Cómo se eligieron
«Comentario» es el comienzo de una homilía o exposición sobre este capítulo (homilías de san Juan Crisóstomo; tratados, sermones y comentarios a los Salmos de san Agustín). «Cita» es una frase en la que las notas de la propia edición identifican la cita de un versículo de este capítulo; solo se conserva si el texto coincide con el versículo. Solo se usan obras de autoría segura. Los Salmos siguen la numeración hebrea (Agustín usa la de los Setenta: su Salmo 50 es aquí el 51).
An example of this is that passage in the Song of Solomon, "I am black, but comely, as the tents of Kedar, as the curtains of Solomon." For it is not said, I was black as the tents of Kedar, but am now comely as the curtains of Solomon.
Leer en contexto · Nicene and Post-Nicene Fathers, series 1, vol. 2 (1887)
For now meanwhile thou standest outside the door: but God grant that you all may say, The King hath brought me into His chamber.
Leer en contexto · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)
So then this Bridegroom, "fair in beauty above the children of men," became deformed that He might make His Spouse fair to whom it is said, "O thou beauteous among women," of whom it is said, "Who is this that cometh up, whitened" with the brightness of light, not the colouring of falsehood!
Leer en contexto · Nicene and Post-Nicene Fathers, series 1, vol. 6 (1888)
… with you, all Beauteous as He was, prayed for you; "Father," saith He, "forgive them, for they know not what they do." For if He were without comeliness, how is it that she loveth Him, who saith, "Tell me, O Thou whom my soul loveth"? How is it that she loveth Him?
Leer en contexto · Nicene and Post-Nicene Fathers, series 1, vol. 6 (1888)