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Song of Songs · Catholic Public Domain Version

Song of Songs 5 Catholic Public Domain Version

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About CPDV
  • Catholic
  • OT: Latin Vulgate
  • NT: Latin Vulgate
  • Catholic (73 books)
  • Formal (word for word)
  • 2009
  • Public domain

Audio: World English Bible (WEB), read by Winfred W. Henson · About the recordings

Notes on this text (3)
CPDV Catholic Public Domain Version
RV1909 Reina-Valera 1909
1 Bride: May my beloved enter into his garden, and eat the fruit of his apple trees.
1 YO vine á mi huerto, oh hermana, esposa [mía]: cogido he mi mirra y mis aromas; he comido mi panal y mi miel, mi vino y mi leche he bebido. Comed, amigos; bebed, amados, y embriagaos.
2 Groom to Bride: I have arrived in my garden, O my sister, my spouse. I have harvested my myrrh, with my aromatic oils. I have eaten the honeycomb with my honey. I have drunk my wine with my milk. Eat, O friends, and drink, and be inebriated, O most beloved.
2 Yo dormía, pero mi corazón velaba: la voz de mi amado que llamaba: Abreme, hermana mía, amiga mía, paloma mía, perfecta mía; porque mi cabeza está llena de rocío, mis cabellos de las gotas de la noche.
3 Bride: I sleep, yet my heart watches. The voice of my beloved knocking:
3 Heme desnudado mi ropa; ¿cómo la tengo de vestir? He lavado mis pies; ¿cómo los tengo de ensuciar?
4 Groom to Bride: Open to me, my sister, my love, my dove, my immaculate one. For my head is full of dew, and the locks of my hair are full of the drops of the night.
4 Mi amado metió su mano por el agujero, y mis entrañas se conmovieron dentro de mí.
5 Bride: I have taken off my tunic; how shall I be clothed in it? I have washed my feet; how shall I spoil them?
5 Yo me levanté para abrir á mi amado, y mis manos gotearon mirra, y mis dedos mirra que corría sobre las aldabas del candado.
6 My beloved put his hand through the window, and my inner self was moved by his touch.
6 Abrí yo á mi amado; mas mi amado se había ido, había ya pasado: y tras su hablar salió mi alma: busquélo, y no lo hallé; llamélo, y no me respondió.
7 I rose up in order to open to my beloved. My hands dripped with myrrh, and my fingers were full of the finest myrrh.
7 Halláronme los guardas que rondan la ciudad: hiriéronme, llagáronme, quitáronme mi manto de encima los guardas de los muros.
8 I opened the bolt of my door to my beloved. But he had turned aside and had gone away. My soul melted when he spoke. I sought him, and did not find him. I called, and he did not answer me.
8 Yo os conjuro, oh doncellas de Jerusalem, si hallareis á mi amado, que le hagáis saber como de amor estoy enferma.
9 The keepers who circulate through the city found me. They struck me, and wounded me. The keepers of the walls took my veil away from me.
9 ¿Qué es tu amado más que [otro] amado, oh la más hermosa de todas las mujeres? ¿qué es tu amado más que [otro] amado, que así nos conjuras?
10 I bind you by oath, O daughters of Jerusalem, if you find my beloved, announce to him that I languish through love.
10 Mi amado es blanco y rubio, señalado entre diez mil.
11 Chorus to Bride: What kind of beloved is your beloved, O most beautiful among women? What kind of beloved is your beloved, so that you would bind us by oath?
11 Su cabeza, [como] oro finísimo; sus cabellos crespos, negros como el cuervo.
12 Bride: My beloved is white and ruddy, elect among thousands.
12 Sus ojos, como palomas junto á los arroyos de las aguas, que se lavan con leche, [y] á la perfección colocados.
13 His head is like the finest gold. His locks are like the heights of palm trees, and as black as a raven.
13 Sus mejillas, como una era de especias aromáticas, [como] fragantes flores: sus labios, [como] lirios que destilan mirra que trasciende.
14 His eyes are like doves, which have been washed with milk over rivulets of waters, and which reside near plentiful streams.
14 Sus manos, [como] anillos de oro engastados de jacintos: su vientre, [como] claro marfil cubierto de zafiros.
15 His cheeks are like a courtyard of aromatic plants, sown by perfumers. His lips are like lilies, dripping with the best myrrh.
15 Sus piernas, [como] columnas de mármol fundadas sobre basas de fino oro: su aspecto como el Líbano, escogido como los cedros.
16 His hands are smoothed gold, full of hyacinths. His abdomen is ivory, accented with sapphires.
16 Su paladar, dulcísimo: y todo él codiciable. Tal es mi amado, tal es mi amigo, oh doncellas de Jerusalem.
17 His legs are columns of marble, which have been established over bases of gold. His appearance is like that of Lebanon, elect like the cedars. His throat is most sweet, and he is entirely desirable. Such is my beloved, and he is my friend, O daughters of Jerusalem. Chorus to Bride: Where has your beloved gone, O most beautiful among women? To where has your beloved turned aside, so that we may seek him with you?
17 Not in this translation
Cross references (16)

Related passages for each verse, from the Treasury of Scripture Knowledge as collected and ranked by readers at OpenBible.info.

  1. 1 Song of Songs 6:2; Song of Songs 4:16; Revelation 22:17; Song of Songs 4:9–14; Isaiah 55:1–2
  2. 2 Revelation 3:20; Song of Songs 2:14; Song of Songs 6:9; Zechariah 4:1; Psalm 119:1
  3. 3 Luke 11:7; Romans 7:22–23; Proverbs 22:13; Matthew 26:38–43; Proverbs 3:28
  4. 4 Philippians 2:13; Song of Songs 1:4; Acts 16:14; 2 Corinthians 8:16; 1 Kings 3:26
  5. 5 Song of Songs 5:13; Ephesians 3:17; Song of Songs 4:13–14; Revelation 3:20; 2 Corinthians 7:9–11
  6. 6 Song of Songs 5:2; Revelation 3:19; Hosea 5:15; Hosea 5:6; Isaiah 58:2
  7. 7 Song of Songs 3:3; Matthew 23:2; Hosea 6:5; Psalm 141:5; John 16:2
  8. 8 Song of Songs 2:5; Song of Songs 2:7; Psalm 42:1–3; Song of Songs 3:5; Galatians 6:1–2
  9. 9 Song of Songs 6:1; Song of Songs 1:8; Song of Songs 6:9–10; Psalm 45:13; Isaiah 53:2
  10. 10 Psalm 45:2; Psalm 45:17; Song of Songs 2:1; Philippians 2:9–11; Hebrews 7:26
  11. 11 Song of Songs 7:5; Revelation 1:14; Song of Songs 5:2; Daniel 7:9; Ephesians 1:21–22
  12. 12 Song of Songs 4:1; Song of Songs 1:15; Hebrews 4:13
  13. 13 Song of Songs 1:10; Song of Songs 2:1; Song of Songs 6:2; Song of Songs 4:11; Psalm 89:15
  14. 14 Exodus 24:10; Isaiah 54:11; Isaiah 9:7; Isaiah 52:13; Ezekiel 1:16
  15. 15 1 Kings 4:33; Revelation 1:15–16; Acts 2:28; Hosea 14:7; Psalm 92:12
  16. 16 Psalm 45:2; Song of Songs 7:9; Psalm 119:103; Galatians 2:20; Song of Songs 1:16

Cross references: OpenBible.info (CC BY), drawn mainly from the public-domain Treasury of Scripture Knowledge. · Sources & licences

What the Fathers said

Passages from the Church Fathers that expound or quote this chapter, verbatim from the public-domain Schaff edition (19th-century English translations).

How these were chosen

“Commentary” is the opening of a homily or exposition on this chapter (John Chrysostom’s homilies, Augustine’s tractates, sermons and expositions of the Psalms). “Quotes” are sentences where the edition’s own footnotes identify a quotation of a verse here, kept only when the wording matches the verse. Only works whose authorship is not in doubt are used. Psalms follow the Hebrew/English numbering (Augustine numbers them as the Septuagint does: his Psalm 50 is Psalm 51 here).

  1. Quotes verse 5:1 Cyril of Jerusalem, Catechetical Lectures (Lecture XIII)

    I am come into My garden, My sister, My spouse; (now in the place where He was crucified was a garden;) and what takest Thou thence?

    Read in context · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)

  2. Quotes verse 5:2 Basil of Caesarea, Hexaemeron (Homily VII)

    Filled with these thoughts may you, even in sleep, enjoy the pleasure of the day, so that you may be permitted to say, "I sleep but my heart waketh," meditating day and night upon the law of the Lord, to Whom be glory and power world without end.

    Read in context · Nicene and Post-Nicene Fathers, series 2, vol. 8 (1895)

  3. Quotes verse 5:12 Cyril of Jerusalem, Catechetical Lectures (Lecture XVII)

    … begotten, and for forgiveness of sins; even as it was emblematically foretold that Christ should be thus manifested in the appearance of His eyes; for in the Canticles she cries concerning the Bridegroom, and says, Thine eyes are as doves by the rivers of water.

    Read in context · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)