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Cantar de los Cantares · Unlocked Literal Bible

Cantar de los Cantares 6 Unlocked Literal Bible

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Sobre ULB
  • Protestante
  • AT: Texto masorético (hebreo)
  • NT: Texto crítico (no verificado)
  • Protestante (66 libros)
  • Formal (palabra por palabra)
  • 2017
  • CC BY-SA 4.0

Audio: World English Bible (WEB), en inglés, leído por Winfred W. Henson · Sobre las grabaciones

ULB Unlocked Literal Bible
WEB World English Bible (clásica, con deuterocanónicos)
1 Where has your beloved gone, most beautiful among women? In what direction has your beloved gone, so that we may seek him with you?
1 Where has your beloved gone, you fairest among women? Where has your beloved turned, that we may seek him with you?
2 My beloved has gone down to his garden, to the beds of spices, to graze in the garden and to gather lilies.
2 My beloved has gone down to his garden, to the beds of spices, to pasture his flock in the gardens, and to gather lilies.
3 I am my beloved's, and my beloved is mine; he grazes among the lilies with pleasure.
3 I am my beloved’s, and my beloved is mine. He browses among the lilies.
4 You are as beautiful as Tirzah, my love, as lovely as Jerusalem, as awe-inspiring as an army with its banners.
4 You are beautiful, my love, as Tirzah, lovely as Jerusalem, awesome as an army with banners.
5 Turn your eyes away from me, for they overwhelm me. Your hair is like a flock of goats going down from the slopes of Gilead.
5 Turn away your eyes from me, for they have overcome me. Your hair is like a flock of goats, that lie along the side of Gilead.
6 Your teeth are like a flock of ewes coming up from the washing place. Each one has a twin, and none among them is bereaved.
6 Your teeth are like a flock of ewes, which have come up from the washing, of which every one has twins; not one is bereaved among them.
7 Your cheeks are like pomegranate halves behind your veil.
7 Your temples are like a piece of a pomegranate behind your veil.
8 There are sixty queens, eighty concubines, and young women without number.
8 There are sixty queens, eighty concubines, and virgins without number.
9 My dove, my undefiled, is the only one; she is the only daughter of her mother; she is the favorite one of the woman who bore her. The young women saw her and called her blessed; the queens and the concubines saw her also, and they praised her:
9 My dove, my perfect one, is unique. She is her mother’s only daughter. She is the favorite one of her who bore her. The daughters saw her, and called her blessed. The queens and the concubines saw her, and they praised her.
10 “Who is this who appears like the dawn, as beautiful as the moon, as bright as the sun, as awe-inspiring as an army with its banners?”
10 Who is she who looks out as the morning, beautiful as the moon, clear as the sun, and awesome as an army with banners?
11 I went down into the grove of nut trees to see the young growth in the valley, to see whether the vines had budded, and whether the pomegranates were in bloom.
11 I went down into the nut tree grove, to see the green plants of the valley, to see whether the vine budded, and the pomegranates were in flower.
12 I was so happy that I felt I was riding in the chariot of a prince.
12 Without realizing it, my desire set me with my royal people’s chariots.
13 Turn back, turn back, you perfect woman; turn back, turn back so that we may gaze on you. The woman speaking to the friends Why do you gaze on the perfect woman, as if on the dance between two armies?
13 Return, return, Shulammite! Return, return, that we may gaze at you. Lover Why do you desire to gaze at the Shulammite, as at the dance of Mahanaim?
Referencias cruzadas (13)

Pasajes relacionados con cada versículo, del Treasury of Scripture Knowledge, tal como los reúnen y ordenan los lectores de OpenBible.info.

  1. 1 Cantar de los Cantares 5:9; Cantar de los Cantares 1:8; Jeremías 14:8; Rut 2:12; Cantar de los Cantares 2:2
  2. 2 Cantar de los Cantares 5:13; Apocalipsis 7:17; Cantar de los Cantares 1:7–8; Mateo 28:20; Juan 17:24
  3. 3 Cantar de los Cantares 2:16; Cantar de los Cantares 7:10; Hebreos 8:10; Apocalipsis 21:2–4
  4. 4 Cantar de los Cantares 6:10; Salmo 48:2; 1 Reyes 14:17; Apocalipsis 21:2; Cantar de los Cantares 2:14
  5. 5 Jeremías 15:1; Génesis 32:26–28; Éxodo 32:10; Cantar de los Cantares 4:1–3; Mateo 15:27–28
  6. 6 Cantar de los Cantares 4:2; Mateo 21:19; Mateo 25:30
  7. 7 Cantar de los Cantares 4:3
  8. 8 Salmo 45:14; 1 Reyes 11:3; 1 Reyes 11:1; Salmo 45:9; 2 Crónicas 11:21
  9. 9 Cantar de los Cantares 2:14; Salmo 45:9; Génesis 30:13; Apocalipsis 21:9–10; Cantar de los Cantares 5:2
  10. 10 Cantar de los Cantares 6:4; Apocalipsis 12:1; Job 31:26; Mateo 17:2; Apocalipsis 22:5
  11. 11 Cantar de los Cantares 7:12; Isaías 5:2–4; Cantar de los Cantares 4:12–15; Cantar de los Cantares 5:1; Cantar de los Cantares 6:2
  12. 12 Lucas 15:20; Oseas 11:8–9; Jeremías 31:18–20
  13. 13 Génesis 32:2; Juan 9:7; Romanos 3:29; Efesios 6:10–19; Gálatas 5:17

Referencias cruzadas: OpenBible.info (CC BY), tomadas sobre todo del Treasury of Scripture Knowledge (dominio público). · Fuentes y licencias

Lo que dijeron los Padres

Pasajes de los Padres de la Iglesia que comentan o citan este capítulo, tal como aparecen en la edición de Schaff (traducciones inglesas del siglo XIX, de dominio público). Los textos están en inglés.

Cómo se eligieron

«Comentario» es el comienzo de una homilía o exposición sobre este capítulo (homilías de san Juan Crisóstomo; tratados, sermones y comentarios a los Salmos de san Agustín). «Cita» es una frase en la que las notas de la propia edición identifican la cita de un versículo de este capítulo; solo se conserva si el texto coincide con el versículo. Solo se usan obras de autoría segura. Los Salmos siguen la numeración hebrea (Agustín usa la de los Setenta: su Salmo 50 es aquí el 51).

  1. Cita 6:3 Cyril of Jerusalem, Catechetical Lectures (Lecture XIII)

    I am come who feed My sheep among the lilies, I am come to feed them in the gardens.

    Leer en contexto · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)