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Cantar de los Cantares · Versión Católica de Dominio Público

Cantar de los Cantares 6 Versión Católica de Dominio Público

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Sobre CPDV
  • Católica
  • AT: Vulgata latina
  • NT: Vulgata latina
  • Católico (73 libros)
  • Formal (palabra por palabra)
  • 2009
  • Dominio público

Audio: World English Bible (WEB), en inglés, leído por Winfred W. Henson · Sobre las grabaciones

Notas sobre este texto (3)
CPDV Versión Católica de Dominio Público
WEB World English Bible (clásica, con deuterocanónicos)
1 Bride: My beloved has descended to his garden, to the courtyard of aromatic plants, in order to pasture in the gardens and gather the lilies.
1 Where has your beloved gone, you fairest among women? Where has your beloved turned, that we may seek him with you?
2 I am for my beloved, and my beloved is for me. He pastures among the lilies.
2 My beloved has gone down to his garden, to the beds of spices, to pasture his flock in the gardens, and to gather lilies.
3 Groom to Bride: My love, you are beautiful: sweet and graceful, like Jerusalem; terrible, like an army in battle array.
3 I am my beloved’s, and my beloved is mine. He browses among the lilies.
4 Avert your eyes from me, for they have caused me to fly away. Your hair is like a flock of goats, which have appeared out of Gilead.
4 You are beautiful, my love, as Tirzah, lovely as Jerusalem, awesome as an army with banners.
5 Your teeth are like a flock of sheep, which have ascended from the washing, each one with its identical twin, and not one among them is barren.
5 Turn away your eyes from me, for they have overcome me. Your hair is like a flock of goats, that lie along the side of Gilead.
6 Like the skin of a pomegranate, so are your cheeks, except for your hiddenness.
6 Your teeth are like a flock of ewes, which have come up from the washing, of which every one has twins; not one is bereaved among them.
7 There are sixty queens, and eighty concubines, and maidens without number.
7 Your temples are like a piece of a pomegranate behind your veil.
8 One is my dove, my perfect one. One is her mother; elect is she who bore her. The daughters saw her, and they proclaimed her most blessed. The queens and concubines saw her, and they praised her.
8 There are sixty queens, eighty concubines, and virgins without number.
9 Chorus to Groom: Who is she, who advances like the rising dawn, as beautiful as the moon, as elect as the sun, as terrible as an army in battle array?
9 My dove, my perfect one, is unique. She is her mother’s only daughter. She is the favorite one of her who bore her. The daughters saw her, and called her blessed. The queens and the concubines saw her, and they praised her.
10 Bride: I descended to the garden of nuts, in order to see the fruits of the steep valleys, and to examine whether the vineyard had flourished and the pomegranates had produced buds.
10 Who is she who looks out as the morning, beautiful as the moon, clear as the sun, and awesome as an army with banners?
11 I did not understand. My soul was stirred up within me because of the chariots of Amminadab.
11 I went down into the nut tree grove, to see the green plants of the valley, to see whether the vine budded, and the pomegranates were in flower.
12 Chorus to Bride: Return, return, O Sulamitess. Return, return, so that we may consider you.
12 Without realizing it, my desire set me with my royal people’s chariots. 13 Return, return, Shulammite! Return, return, that we may gaze at you. Lover Why do you desire to gaze at the Shulammite, as at the dance of Mahanaim?
Referencias cruzadas (12)

Pasajes relacionados con cada versículo, del Treasury of Scripture Knowledge, tal como los reúnen y ordenan los lectores de OpenBible.info.

  1. 1 Cantar de los Cantares 5:9; Cantar de los Cantares 1:8; Jeremías 14:8; Rut 2:12; Cantar de los Cantares 2:2
  2. 2 Cantar de los Cantares 5:13; Apocalipsis 7:17; Cantar de los Cantares 1:7–8; Mateo 28:20; Juan 17:24
  3. 3 Cantar de los Cantares 2:16; Cantar de los Cantares 7:10; Hebreos 8:10; Apocalipsis 21:2–4
  4. 4 Cantar de los Cantares 6:10; Salmo 48:2; 1 Reyes 14:17; Apocalipsis 21:2; Cantar de los Cantares 2:14
  5. 5 Jeremías 15:1; Génesis 32:26–28; Éxodo 32:10; Cantar de los Cantares 4:1–3; Mateo 15:27–28
  6. 6 Cantar de los Cantares 4:2; Mateo 21:19; Mateo 25:30
  7. 7 Cantar de los Cantares 4:3
  8. 8 Salmo 45:14; 1 Reyes 11:3; 1 Reyes 11:1; Salmo 45:9; 2 Crónicas 11:21
  9. 9 Cantar de los Cantares 2:14; Salmo 45:9; Génesis 30:13; Apocalipsis 21:9–10; Cantar de los Cantares 5:2
  10. 10 Cantar de los Cantares 6:4; Apocalipsis 12:1; Job 31:26; Mateo 17:2; Apocalipsis 22:5
  11. 11 Cantar de los Cantares 7:12; Isaías 5:2–4; Cantar de los Cantares 4:12–15; Cantar de los Cantares 5:1; Cantar de los Cantares 6:2
  12. 12 Lucas 15:20; Oseas 11:8–9; Jeremías 31:18–20

Referencias cruzadas: OpenBible.info (CC BY), tomadas sobre todo del Treasury of Scripture Knowledge (dominio público). · Fuentes y licencias

Artículos y respuestas de este sitio que citan Cantar de los Cantares 6 (en inglés).

Lo que dijeron los Padres

Pasajes de los Padres de la Iglesia que comentan o citan este capítulo, tal como aparecen en la edición de Schaff (traducciones inglesas del siglo XIX, de dominio público). Los textos están en inglés.

Cómo se eligieron

«Comentario» es el comienzo de una homilía o exposición sobre este capítulo (homilías de san Juan Crisóstomo; tratados, sermones y comentarios a los Salmos de san Agustín). «Cita» es una frase en la que las notas de la propia edición identifican la cita de un versículo de este capítulo; solo se conserva si el texto coincide con el versículo. Solo se usan obras de autoría segura. Los Salmos siguen la numeración hebrea (Agustín usa la de los Setenta: su Salmo 50 es aquí el 51).

  1. Cita 6:3 Cyril of Jerusalem, Catechetical Lectures (Lecture XIII)

    I am come who feed My sheep among the lilies, I am come to feed them in the gardens.

    Leer en contexto · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)