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Cantar de los Cantares · Traducción literal de Young

Cantar de los Cantares 1 Traducción literal de Young

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Sobre YLT
  • Traductor individual
  • AT: Texto masorético (hebreo)
  • NT: Textus Receptus
  • Protestante (66 libros)
  • Muy literal
  • 1898
  • Dominio público

Audio: World English Bible (WEB), en inglés, leído por Winfred W. Henson · Sobre las grabaciones

YLT Traducción literal de Young
RV1909 Reina-Valera 1909
WEB World English Bible (clásica, con deuterocanónicos)
1 The Song of Songs, that [is] Solomon's.
1 CANCIÓN de canciones, la cual es de Salomón.
1 The Song of songs, which is Solomon’s.
2 Let him kiss me with kisses of his mouth, For better [are] thy loves than wine.
2 ¡Oh si él me besara con ósculos de su boca! porque mejores son tus amores que el vino.
2 Let him kiss me with the kisses of his mouth; for your love is better than wine.
3 For fragrance [are] thy perfumes good. Perfume emptied out — thy name, Therefore have virgins loved thee!
3 Por el olor de tus suaves ungüentos, (ungüento derramado es tu nombre,) por eso las doncellas te amaron.
3 Your oils have a pleasing fragrance. Your name is oil poured out, therefore the virgins love you.
4 Draw me: after thee we run, The king hath brought me into his inner chambers, We do joy and rejoice in thee, We mention thy loves more than wine, Uprightly they have loved thee!
4 Llévame en pos de ti, correremos. Metióme el rey en sus cámaras: nos gozaremos y alegraremos en ti; acordarémonos de tus amores más que del vino: los rectos te aman.
4 Take me away with you. Let’s hurry. The king has brought me into his rooms. Friends We will be glad and rejoice in you. We will praise your love more than wine! Beloved They are right to love you.
5 Dark [am] I, and comely, daughters of Jerusalem, As tents of Kedar, as curtains of Solomon.
5 Morena soy, oh hijas de Jerusalem, mas codiciable; como las cabañas de Cedar, como las tiendas de Salomón.
5 I am dark, but lovely, you daughters of Jerusalem, like Kedar’s tents, like Solomon’s curtains.
6 Fear me not, because I [am] very dark, Because the sun hath scorched me, The sons of my mother were angry with me, They made me keeper of the vineyards, My vineyard — my own — I have not kept.
6 No miréis en que soy morena, porque el sol me miró. Los hijos de mi madre se airaron contra mí, hiciéronme guarda de viñas; [y] mi viña, que era mía, no guardé.
6 Don’t stare at me because I am dark, because the sun has scorched me. My mother’s sons were angry with me. They made me keeper of the vineyards. I haven’t kept my own vineyard.
7 Declare to me, thou whom my soul hath loved, Where thou delightest, Where thou liest down at noon, For why am I as one veiled, By the ranks of thy companions?
7 Hazme saber, ó tú á quien ama mi alma, dónde repastas, dónde haces tener majada al medio día: porque, ¿por qué había yo de estar como vagueando tras los rebaños de tus compañeros?
7 Tell me, you whom my soul loves, where you graze your flock, where you rest them at noon; for why should I be as one who is veiled beside the flocks of your companions?
8 If thou knowest not, O fair among women, Get thee forth by the traces of the flock, And feed thy kids by the shepherds' dwellings!
8 Si tú no lo sabes, oh hermosa entre las mujeres, sal, yéndote por las huellas del rebaño, y apacienta tus cabritas junto á las cabañas de los pastores.
8 If you don’t know, most beautiful among women, follow the tracks of the sheep. Graze your young goats beside the shepherds’ tents.
9 To my joyous one in chariots of Pharaoh, I have compared thee, my friend,
9 A yegua de los carros de Faraón te he comparado, amiga mía.
9 I have compared you, my love, to a steed in Pharaoh’s chariots.
10 Comely have been thy cheeks with garlands, Thy neck with chains.
10 Hermosas son tus mejillas entre los pendientes, tu cuello entre los collares.
10 Your cheeks are beautiful with earrings, your neck with strings of jewels.
11 Garlands of gold we do make for thee, With studs of silver!
11 Zarcillos de oro te haremos, con clavos de plata.
11 We will make you earrings of gold, with studs of silver.
12 While the king [is] in his circle, My spikenard hath given its fragrance.
12 Mientras que el rey estaba en su reclinatorio, mi nardo dió su olor.
12 While the king sat at his table, my perfume spread its fragrance.
13 A bundle of myrrh [is] my beloved to me, Between my breasts it lodgeth.
13 Mi amado es para mí un manojito de mirra, que reposa entre mis pechos.
13 My beloved is to me a sachet of myrrh, that lies between my breasts.
14 A cluster of cypress [is] my beloved to me, In the vineyards of En-Gedi!
14 Racimo de copher en las viñas de Engadi es para mí mi amado.
14 My beloved is to me a cluster of henna blossoms from the vineyards of En Gedi.
15 Lo, thou [art] fair, my friend, Lo, thou [art] fair, thine eyes [are] doves!
15 He aquí que tú eres hermosa, amiga mía; he aquí que eres bella: tus ojos de paloma.
15 Behold, you are beautiful, my love. Behold, you are beautiful. Your eyes are like doves.
16 Lo, thou [art] fair, my love, yea, pleasant, Yea, our couch [is] green,
16 He aquí que tú eres hermoso, amado mío, y suave: nuestro lecho también florido.
16 Behold, you are beautiful, my beloved, yes, pleasant; and our couch is verdant.
17 The beams of our houses [are] cedars, Our rafters [are] firs, I [am] a rose of Sharon, a lily of the valleys!
17 Las vigas de nuestra casa son de cedro, [y] de ciprés los artesonados.
17 The beams of our house are cedars. Our rafters are firs.
Referencias cruzadas (16)

Pasajes relacionados con cada versículo, del Treasury of Scripture Knowledge, tal como los reúnen y ordenan los lectores de OpenBible.info.

  1. 2 Cantar de los Cantares 4:10; Cantar de los Cantares 1:4; Salmo 36:7; Salmo 63:3–5; Isaías 55:1–2
  2. 3 Eclesiastés 7:1; Éxodo 30:23–28; Cantar de los Cantares 4:10; Juan 12:3; Salmo 45:7–8
  3. 4 Juan 6:44; Oseas 11:4; Salmo 45:14–15; Juan 12:32; Hebreos 12:1
  4. 5 Cantar de los Cantares 2:14; Lucas 15:22; 2 Corintios 5:21; Cantar de los Cantares 5:16; Cantar de los Cantares 2:7
  5. 6 Cantar de los Cantares 8:11–12; Lucas 12:51–53; Marcos 4:6; Jeremías 12:6; Salmo 69:8
  6. 7 Cantar de los Cantares 3:1–4; Isaías 13:20; Salmo 23:1–2; Salmo 28:1; Génesis 37:16
  7. 8 Cantar de los Cantares 6:1; Cantar de los Cantares 5:9; Santiago 2:21; Santiago 5:10; Hebreos 11:4–40
  8. 9 Cantar de los Cantares 2:10; Cantar de los Cantares 2:13; Juan 15:14–15; Isaías 31:1; Cantar de los Cantares 2:2
  9. 10 Ezequiel 16:11–13; 1 Pedro 3:4; Cantar de los Cantares 5:13; Génesis 24:47; Cantar de los Cantares 4:9
  10. 11 Salmo 149:4; Filipenses 3:21; Génesis 1:26; Efesios 5:25–27; Cantar de los Cantares 8:9
  11. 12 Juan 12:3; Apocalipsis 3:20; Marcos 14:3; Cantar de los Cantares 4:13–16; Lucas 24:30–32
  12. 13 Juan 19:39; Salmo 45:8; Efesios 3:17; Cantar de los Cantares 4:14; Génesis 43:11
  13. 14 Cantar de los Cantares 2:3; 1 Samuel 23:29–24:1; Cantar de los Cantares 1:13; Josué 15:62; Cantar de los Cantares 4:13–14
  14. 15 Cantar de los Cantares 4:1; Cantar de los Cantares 5:12; Cantar de los Cantares 4:7; Efesios 1:17–18; 2 Corintios 11:2–3
  15. 16 Cantar de los Cantares 2:3; Salmo 45:2; Zacarías 9:17; Apocalipsis 5:11–13; Cantar de los Cantares 5:10–16
  16. 17 Hebreos 11:10; Salmo 92:12; 2 Crónicas 2:8–9; 1 Reyes 6:9; Cantar de los Cantares 7:5

Referencias cruzadas: OpenBible.info (CC BY), tomadas sobre todo del Treasury of Scripture Knowledge (dominio público). · Fuentes y licencias

Lo que dijeron los Padres

Pasajes de los Padres de la Iglesia que comentan o citan este capítulo, tal como aparecen en la edición de Schaff (traducciones inglesas del siglo XIX, de dominio público). Los textos están en inglés.

Cómo se eligieron

«Comentario» es el comienzo de una homilía o exposición sobre este capítulo (homilías de san Juan Crisóstomo; tratados, sermones y comentarios a los Salmos de san Agustín). «Cita» es una frase en la que las notas de la propia edición identifican la cita de un versículo de este capítulo; solo se conserva si el texto coincide con el versículo. Solo se usan obras de autoría segura. Los Salmos siguen la numeración hebrea (Agustín usa la de los Setenta: su Salmo 50 es aquí el 51).

  1. Cita 1:5 Augustine of Hippo, On Christian Doctrine (Book III, Chapters 31–34)

    An example of this is that passage in the Song of Solomon, "I am black, but comely, as the tents of Kedar, as the curtains of Solomon." For it is not said, I was black as the tents of Kedar, but am now comely as the curtains of Solomon.

    Leer en contexto · Nicene and Post-Nicene Fathers, series 1, vol. 2 (1887)

  2. Cita 1:4 Cyril of Jerusalem, Catechetical Lectures (Lecture III)

    For now meanwhile thou standest outside the door: but God grant that you all may say, The King hath brought me into His chamber.

    Leer en contexto · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)

  3. Cita 1:8 Augustine of Hippo, Sermons on Selected Lessons of the New Testament (Sermon XLV)

    So then this Bridegroom, "fair in beauty above the children of men," became deformed that He might make His Spouse fair to whom it is said, "O thou beauteous among women," of whom it is said, "Who is this that cometh up, whitened" with the brightness of light, not the colouring of falsehood!

    Leer en contexto · Nicene and Post-Nicene Fathers, series 1, vol. 6 (1888)

  4. Cita 1:7 Augustine of Hippo, Sermons on Selected Lessons of the New Testament (Sermon LXXXVIII)

    … with you, all Beauteous as He was, prayed for you; "Father," saith He, "forgive them, for they know not what they do." For if He were without comeliness, how is it that she loveth Him, who saith, "Tell me, O Thou whom my soul loveth"? How is it that she loveth Him?

    Leer en contexto · Nicene and Post-Nicene Fathers, series 1, vol. 6 (1888)