Cantar de los Cantares · Versión Católica de Dominio Público
Cantar de los Cantares 5 Versión Católica de Dominio Público
Audio: World English Bible (WEB), en inglés, leído por Winfred W. Henson · Sobre las grabaciones
Notas sobre este texto (3)
- Esther and Daniel are the Vulgate books (Esther 1–16 with the Greek additions as chapters 10:4–16; Daniel 1–14 with the Song of the Three, Susanna and Bel). Baruch 6 is the Letter of Jeremiah.
- The translator's footnotes, cross-references, chapter summaries and book introductions in the CrossWire module are not shown.
- No imprimatur; single translator.
1 Bride: May my beloved enter into his garden, and eat the fruit of his apple trees.
1 I have come into my garden, my sister, my bride. I have gathered my myrrh with my spice; I have eaten my honeycomb with my honey; I have drunk my wine with my milk. Friends Eat, friends! Drink, yes, drink abundantly, beloved.
2 Groom to Bride: I have arrived in my garden, O my sister, my spouse. I have harvested my myrrh, with my aromatic oils. I have eaten the honeycomb with my honey. I have drunk my wine with my milk. Eat, O friends, and drink, and be inebriated, O most beloved.
2 I was asleep, but my heart was awake. It is the voice of my beloved who knocks: “Open to me, my sister, my love, my dove, my undefiled; for my head is filled with dew, and my hair with the dampness of the night.”
3 Bride: I sleep, yet my heart watches. The voice of my beloved knocking:
3 I have taken off my robe. Indeed, must I put it on? I have washed my feet. Indeed, must I soil them?
4 Groom to Bride: Open to me, my sister, my love, my dove, my immaculate one. For my head is full of dew, and the locks of my hair are full of the drops of the night.
4 My beloved thrust his hand in through the latch opening. My heart pounded for him.
5 Bride: I have taken off my tunic; how shall I be clothed in it? I have washed my feet; how shall I spoil them?
5 I rose up to open for my beloved. My hands dripped with myrrh, my fingers with liquid myrrh, on the handles of the lock.
6 My beloved put his hand through the window, and my inner self was moved by his touch.
6 I opened to my beloved; but my beloved left, and had gone away. My heart went out when he spoke. I looked for him, but I didn’t find him. I called him, but he didn’t answer.
7 I rose up in order to open to my beloved. My hands dripped with myrrh, and my fingers were full of the finest myrrh.
7 The watchmen who go about the city found me. They beat me. They bruised me. The keepers of the walls took my cloak away from me.
8 I opened the bolt of my door to my beloved. But he had turned aside and had gone away. My soul melted when he spoke. I sought him, and did not find him. I called, and he did not answer me.
8 I adjure you, daughters of Jerusalem, If you find my beloved, that you tell him that I am faint with love.
9 The keepers who circulate through the city found me. They struck me, and wounded me. The keepers of the walls took my veil away from me.
9 How is your beloved better than another beloved, you fairest among women? How is your beloved better than another beloved, that you do so adjure us?
10 I bind you by oath, O daughters of Jerusalem, if you find my beloved, announce to him that I languish through love.
10 My beloved is white and ruddy. The best among ten thousand.
11 Chorus to Bride: What kind of beloved is your beloved, O most beautiful among women? What kind of beloved is your beloved, so that you would bind us by oath?
11 His head is like the purest gold. His hair is bushy, black as a raven.
12 Bride: My beloved is white and ruddy, elect among thousands.
12 His eyes are like doves beside the water brooks, washed with milk, mounted like jewels.
13 His head is like the finest gold. His locks are like the heights of palm trees, and as black as a raven.
13 His cheeks are like a bed of spices with towers of perfumes. His lips are like lilies, dropping liquid myrrh.
14 His eyes are like doves, which have been washed with milk over rivulets of waters, and which reside near plentiful streams.
14 His hands are like rings of gold set with beryl. His body is like ivory work overlaid with sapphires.
15 His cheeks are like a courtyard of aromatic plants, sown by perfumers. His lips are like lilies, dripping with the best myrrh.
15 His legs are like pillars of marble set on sockets of fine gold. His appearance is like Lebanon, excellent as the cedars.
16 His hands are smoothed gold, full of hyacinths. His abdomen is ivory, accented with sapphires.
16 His mouth is sweetness; yes, he is altogether lovely. This is my beloved, and this is my friend, daughters of Jerusalem.
17 His legs are columns of marble, which have been established over bases of gold. His appearance is like that of Lebanon, elect like the cedars. His throat is most sweet, and he is entirely desirable. Such is my beloved, and he is my friend, O daughters of Jerusalem. Chorus to Bride: Where has your beloved gone, O most beautiful among women? To where has your beloved turned aside, so that we may seek him with you?
17 No está en esta traducción
Referencias cruzadas (16)
Pasajes relacionados con cada versículo, del Treasury of Scripture Knowledge, tal como los reúnen y ordenan los lectores de OpenBible.info.
- 1 Cantar de los Cantares 6:2; Cantar de los Cantares 4:16; Apocalipsis 22:17; Cantar de los Cantares 4:9–14; Isaías 55:1–2
- 2 Apocalipsis 3:20; Cantar de los Cantares 2:14; Cantar de los Cantares 6:9; Zacarías 4:1; Salmo 119:1
- 3 Lucas 11:7; Romanos 7:22–23; Proverbios 22:13; Mateo 26:38–43; Proverbios 3:28
- 4 Filipenses 2:13; Cantar de los Cantares 1:4; Hechos 16:14; 2 Corintios 8:16; 1 Reyes 3:26
- 5 Cantar de los Cantares 5:13; Efesios 3:17; Cantar de los Cantares 4:13–14; Apocalipsis 3:20; 2 Corintios 7:9–11
- 6 Cantar de los Cantares 5:2; Apocalipsis 3:19; Oseas 5:15; Oseas 5:6; Isaías 58:2
- 7 Cantar de los Cantares 3:3; Mateo 23:2; Oseas 6:5; Salmo 141:5; Juan 16:2
- 8 Cantar de los Cantares 2:5; Cantar de los Cantares 2:7; Salmo 42:1–3; Cantar de los Cantares 3:5; Gálatas 6:1–2
- 9 Cantar de los Cantares 6:1; Cantar de los Cantares 1:8; Cantar de los Cantares 6:9–10; Salmo 45:13; Isaías 53:2
- 10 Salmo 45:2; Salmo 45:17; Cantar de los Cantares 2:1; Filipenses 2:9–11; Hebreos 7:26
- 11 Cantar de los Cantares 7:5; Apocalipsis 1:14; Cantar de los Cantares 5:2; Daniel 7:9; Efesios 1:21–22
- 12 Cantar de los Cantares 4:1; Cantar de los Cantares 1:15; Hebreos 4:13
- 13 Cantar de los Cantares 1:10; Cantar de los Cantares 2:1; Cantar de los Cantares 6:2; Cantar de los Cantares 4:11; Salmo 89:15
- 14 Éxodo 24:10; Isaías 54:11; Isaías 9:7; Isaías 52:13; Ezequiel 1:16
- 15 1 Reyes 4:33; Apocalipsis 1:15–16; Hechos 2:28; Oseas 14:7; Salmo 92:12
- 16 Salmo 45:2; Cantar de los Cantares 7:9; Salmo 119:103; Gálatas 2:20; Cantar de los Cantares 1:16
Referencias cruzadas: OpenBible.info (CC BY), tomadas sobre todo del Treasury of Scripture Knowledge (dominio público). · Fuentes y licencias
Lo que dijeron los Padres
Pasajes de los Padres de la Iglesia que comentan o citan este capítulo, tal como aparecen en la edición de Schaff (traducciones inglesas del siglo XIX, de dominio público). Los textos están en inglés.
Cómo se eligieron
«Comentario» es el comienzo de una homilía o exposición sobre este capítulo (homilías de san Juan Crisóstomo; tratados, sermones y comentarios a los Salmos de san Agustín). «Cita» es una frase en la que las notas de la propia edición identifican la cita de un versículo de este capítulo; solo se conserva si el texto coincide con el versículo. Solo se usan obras de autoría segura. Los Salmos siguen la numeración hebrea (Agustín usa la de los Setenta: su Salmo 50 es aquí el 51).
I am come into My garden, My sister, My spouse; (now in the place where He was crucified was a garden;) and what takest Thou thence?
Leer en contexto · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)
Filled with these thoughts may you, even in sleep, enjoy the pleasure of the day, so that you may be permitted to say, "I sleep but my heart waketh," meditating day and night upon the law of the Lord, to Whom be glory and power world without end.
Leer en contexto · Nicene and Post-Nicene Fathers, series 2, vol. 8 (1895)
… begotten, and for forgiveness of sins; even as it was emblematically foretold that Christ should be thus manifested in the appearance of His eyes; for in the Canticles she cries concerning the Bridegroom, and says, Thine eyes are as doves by the rivers of water.
Leer en contexto · Nicene and Post-Nicene Fathers, series 2, vol. 7 (1894)